Logos Bible Study

Song of Solomon 1:2–4:16

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The Maiden’s Soliloquy

2Mayc he kiss me passionately with his lips,d

for your love is better than wine.e

3As fragrance, your perfumesf are delightful;g

your name is poured out perfume;h

therefore young women love you.

4Draw me after you, let us run!

May the king bring me into his chambers!i

Let us be joyful and let us rejoice in you;

let us extol your love more than wine.

Rightly do they love you!

The Maiden’s Self-Description

5I am black but beautiful,j O maidens of Jerusalem,k

like the tents of Kedar, like the curtains of Solomon.

6Do not gaze at me because I am black, l

because the sun has stared at me.

The sons of my mother were angry with me;

they made me keeper of the vineyards,

but my own “vineyard”m I did not keep.

Dialogue between Shepherdess and Shepherd

7Tell me, you whom my heartn loves,

where do you pasture your flock,

where do your sheep lie down at the noon?

For why should I be likeo one who is veiledp

beside the flocks of your companions?

8If you do not know, O fairest among women,

follow the tracksq of the flock,

and pasture your little lambsr beside the tents of the shepherds.

The Man’s Poetic Praise of His Beloved

9To a mares among the chariotst of Pharaoh,

I compare you, my beloved.

10Your cheeks are beautiful with ornaments,

your neck with strings of jewels.

11We will make ornaments of gold for you

with studsu of silver.

The Maiden’s Poetic Praise of Her Beloved

12While the king was on his couch,

my nard gave its fragrance.

13My beloved is to me a pouchv of myrrh,

he spends the nightw between my breasts.

14My beloved is to me a cluster of blossoms of henna

in the vineyards of En Gedi.

Mutual Admiration

15Look! You are beautiful, my beloved.

Look! You are beautiful;

your eyes are doves.

16Look! You are beautiful, my beloved,

truly pleasant.

Truly our couch is verdant;x

17the beams of our house are cedar;

our rafter is cypress.

Dialogue between the Maiden and Her Beloved

2I am a rosea of Sharon,

a lily of the valleys.

2Like a lily among the thorns,b

so is my love among the maidens.

3As an apple tree among the trees of the forest,

so is my beloved among the young men.

In his shade I sat down with delight,c

and his fruit was sweet to my palate.

Banquet Hall of Love

4He brought me to the house of the wine,

and his intention was love toward me.

5Sustain me with the raisins,

refresh me with the apples,

for I am lovesick.d

Double Refrain: Embrace and Adjuration

6His left hand is under my head,

and his right hand embracese me.

7I adjure you, O maidens of Jerusalem,f

by the gazelles or by the does of the field,

do not arouse or awaken love until it pleases!g

Rendezvous in the Countryside

8The voice of my beloved!

Look! Here heh comes leaping upon the mountains,

bounding over the hills!

9My beloved is like a gazelle or a young stag.i

Look! He isj standing behind our wall,

gazing throughk the window,

looking throughl the lattice.

10My beloved answered and said to me,

“Arise,m my beloved! Come, my beauty!n

11For look! The winter is over;

the rainy seasono has turned and gone away.p

12The blossoms appearq in the land;r

the time of singings has arrived;t

the voice of the turtledove is heard in our land.

13The fig tree puts forth her figs,

and the vines are in blossom; they give fragrance.

Arise,u my beloved! Come, my beauty!”v

14My dove, in the clefts of the rock,

in the secluded placewx in the mountain,yz

Let me see your face,

let me hear your voice;

for your voice is sweet and your face is lovely.

15Catch for us the foxes,

the little foxes destroying vineyards,

fora our vineyards are in blossom!

Poetic Refrain

16My beloved belongs to me and I belong to him;b

he pastures his flock among the lilies.

17Until the day breathes and the shadows flee,

turn, my beloved!

Be likec a gazelled or young stage on the cleft mountains.f

The Maiden’s Dream: Seeking and Finding

3On my bed in the night,

I soughta him whom my heartb loves.

I sought him, but I did not find him.

2Now I will arise, and I will go about in the city,

in the streets and in the squares;

I will seek him whom my heartc loves.

I sought him, but I did not find him.

3The sentinels who go about in the city found me.

“Have you seen the one whom my heartd loves?”

4Scarcely had I passede by them

when I found him whom my heartf loves.

I held him and I would not let him go

until I brought him to the house of my mother,

into the bedroom chamber of she who conceived me.

Adjuration Refrain

5I adjure you, O maidens of Jerusalem,g

by the gazelles or by the does of the field,

do not arouse or awaken love until it pleases!h

Royal Wedding Procession

6What is this coming up from the desert

like a column of smoke,

perfumed with myrrh and frankincense

from all the fragrant powders of the merchant?

7Look! It is Solomon’s portable couch!i

Sixty mighty men surround it,j

the mighty men of Israel.

8All of them wield swords;k

they are trained in warfare,l

each with his sword at his thigh

to guard against terrorm in the night.

9King Solomonn made for himself a sedan chair

from the wood of Lebanon.

10He made its column of silver, its backo of gold, its seat of purple;

its interior is inlaid with leatherp by the maidens of Jerusalem.q

11Come out and look, O maidens of Zion,r at King Solomon,s

at the crown with which his mother crowned him

on the day of his wedding,

on the day of the joy of his heart!

The Groom’s Praise of His Bride

4Look! You are beautiful, my beloved!

Look! You are beautiful!

Your eyes are doves

from behind your veil.

Your hair is like a flock of goats

that move down from the mountains of Gilead.

2Your teeth are like a flock of shorn ewes

that came up from the washing,

all of them bearing twins,

and there is none bereaved among them.

3Your lips are like a thread of crimson,

and your mouth is lovely.

Your temple is like halves of pomegranate

from behind your veil.

4Your neck is like the tower of David,

built in courses;

a thousand ornamentsa are hung on it,

all the shields of the warriors.

5Your two breasts are like two fawns,

twins of a gazelle that feed among the lilies.

6Until the day breathes and the shadows flee,

I will go to the mountain of the myrrh,

to the hill of the frankincense.

7You are completely beautiful, my beloved!

You are flawless!b

The Mountains and Fragrance of Lebanon

8Comec with me from Lebanon, my bride!

Come with med from Lebanon!

Look from the top of Amana,

from the top of Senir and Hermon,

from the dwelling places of the lions,

from the mountains of leopard.

9You have stolen (my) heart, my sister bride!

You have stolen my heart with one glance from your eyes,

with one ornament from your necklaces.

10How beautiful is your love, my sister bride!

How better is your love than wine,

and the fragrance of your oils than any spice!

11Your lips drip nectar, my bride;

honey and milk are under your lips;

the scent of your garments is like the scent of Lebanon.

The Locked Garden of Delights Is Unlocked

12A garden locked is my sister bride,

a spring enclosed,e a fountain sealed.

13Your shootsf are an orchard of pomegranates with choice fruit,g

henna with nard;

14nard and saffron, calamus and cinnamon spice with all trees of frankincense,

myrrh and aloes with all chief spices.

15A garden fountain, a well of living water,

flowing (streams) from Lebanon.

16Awake, O north wind! Come, O south wind!

Blow upon my garden! Let its fragrancesh waft forth!i

Let my beloved come to his garden,

let him eat his choice fruit!

Read in Logos
Song of Solomon 1:2: Let him kiss me with the kisses of his mouth! For your love is better than wine …

Footnotes

  1. cIn the maiden’s soliloquy, she thinks about her beloved in her thoughts (“May he kiss me!”), then poetically speaks to him as if he were in her presence (“for your love is better than wine”). To avoid confusion, the translation uses the second-person form throughout vv. 2–4
  2. dLiterally “with the kisses of his mouth”
  3. eThe shift from the third person “he … his” to the second person “you … your” in vv. 2–4 should not be interpreted as suggesting two different referents, that is, one male whom the maiden is addressing as “you,” and another to whom she refers as “he.” Rather, this shift is a poetic device (called “grammatical differentiation”) that is not uncommon in Hebrew poetry (e.g., Gen 49:4; Deut 32:15; Psa 23:2–5; Isa 1:29; 42:20; 54:1; Jer 22:24; Amos 4:1; Mic 7:19; Lam 3:1; Song 4:2; 6:6). This shift is characteristic of a soliloquy, a dramatic or literary form in which a character reveals her thoughts without addressing a listener who is actually present (e.g., 2 Sam 19:4). In this case, the maiden’s private thoughts about her beloved (v. 2a) shift to an imaginary address to her beloved (vv. 2b–4a)
  4. fLiterally “your oil lotions”
  5. gLiterally “good”
  6. hLiterally “oil lotion”
  7. iOr “The king has brought me into his chambers”
  8. jOr “black and beautiful”
  9. kLiterally “O daughters of Jerusalem”
  10. lThis is figurative for the maiden’s physical appearance; her skin was darkly tanned
  11. mLiterally “my vineyard that for me”
  12. nLiterally “soul”
  13. oLiterally “For to what will I be like”
  14. pThe reading of the MT (“like one who is veiled”) is supported by the LXX. However, several ancient versions (Syriac Peshitta, Latin Vulgate, Symmachus) reflect an alternate Hebrew textual tradition in which two letters are transposed, resulting in the reading “like one who wanders about.” This makes good sense contextually, since the maiden does not know where her beloved would be at noon
  15. qLiterally “in the tracks”
  16. rOr “your kids”
  17. sOr “my mare”
  18. tOr “chariot horses”
  19. uOr “droplets”
  20. vLiterally “the bag”
  21. wOr “he lays”
  22. xLiterally “green”
  23. aMore likely “meadow saffron” or “crocus.” Hebrew scholars and botanists suggest the term refers to Ashodelos (lily family), Narcissus tazetta (narcissus or daffodil), or Colchicum autumnale (meadow saffron or crocus) (e.g., Isa 35:1). The location of this flower in Sharon suggests a common wild flower rather than a rose. The maiden compares herself to a simple, common flower of the field
  24. bOr “brambles”
  25. cLiterally “I sat down and I delighted”
  26. dLiterally “for I myself am sick with love”
  27. eOr “would embrace me”
  28. fLiterally “O daughters of Jerusalem”
  29. gOr “Do not stir up or awaken the love until it is willing,” or “Do not disturb or interrupt our lovemaking until it is satisfied”
  30. hLiterally “this one”
  31. iLiterally “the fawn of the stag”
  32. jLiterally “This is he”
  33. kLiterally “from”
  34. lLiterally “from”
  35. mLiterally “Arise, you”
  36. nLiterally “And come, you”
  37. oLiterally “the rain”
  38. pLiterally “is over; it is gone”
  39. qLiterally “is seen”
  40. rLiterally “on the earth”
  41. sMost likely, a subtle word play occurs here since there are two different words in Hebrew spelled the same way: “pruning” and “singing.” The former plays upon the first line and the latter upon the third line
  42. tLiterally “the time of the song arrived”
  43. uLiterally “Arise, to you!”
  44. vLiterally “My beauty, come, you”
  45. wLiterally “in the secret place”
  46. xOr “in the covering”
  47. yLiterally “foothold in the rock”
  48. zOr “cliff”
  49. aOr “while”
  50. bLiterally “My beloved for me and I for him”
  51. cLiterally “Be like for you”
  52. dOr “a buck gazelle”
  53. eLiterally “the fawn of the stag”
  54. fOr “the mountains of Bether”
  55. aOr “I seek”
  56. bLiterally “soul”
  57. cLiterally “soul”
  58. dLiterally “soul”
  59. eLiterally “As little that I passed”
  60. fLiterally “soul”
  61. gLiterally “O daughters of Jerusalem”
  62. hOr “Do not stir up or awaken the love until it is willing,” or “Do not disturb or interrupt our love-making until it is satisfied”
  63. iLiterally “couch” or “portable sedan chair”
  64. jLiterally “her”
  65. kLiterally “holders of sword”
  66. lLiterally “learnt of war”
  67. mLiterally “because of the fear”
  68. nLiterally “The king, Solomon”
  69. oOr “its support,” “its base,” “its headrest,” “its litter,” “its cover”
  70. pOr “love.” The Hebrew term here translated “leather” is spelled the same as the term for “love.” Most likely this is an example of a word play that puns on the intentional ambiguity: “Its interior was inlaid with leather//love by the maidens of Jerusalem”
  71. qLiterally “by the daughters of Jerusalem”
  72. rLiterally “O daughters of Zion”
  73. sLiterally “the king, Solomon”
  74. aLiterally “shields”
  75. bLiterally “There is no flaw in you!”
  76. cOr “You must come”
  77. dOr “With me”
  78. eOr “a source locked”
  79. fOr “your channel”
  80. gLiterally “fruit of choice things”
  81. hOr “perfumes”
  82. iOr “His perfumes can waft down”