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1:1–5:22 The book of Lamentations consists of a series of five poetic laments mourning the national disaster of 586 bc when the Babylonians destroyed Jerusalem, including the temple, and took many of the people into exile. The poems were likely composed soon after that, during the exilic period (compare Psa 137).

Ancient tradition connects Lamentations with the prophet Jeremiah (based on 2 Chr 35:25), but the book itself does not identify its author or provide many clues as to its date or place of writing. There are similarities with some language and themes of Jeremiah, but these likely reflect the writer’s agreement with Jeremiah’s theological assessment of the causes for Jerusalem’s destruction and the shared genre of lament psalm used both by Jeremiah and the writer of Lamentations. The poetry of Lamentations reflects the work of a highly skilled poet or poets, making full use of poetic techniques like parallelism, meter, acrostic, and metaphor.

Introduction to Lamentations

Biblical Poetry

How to Study the Bible

1:1–22 The first lament focuses on Zion, personified as a grieving widow. The first half of the lament describes Zion and her downfall primarily in the third person (Lam 1:1–11), while the second half is an individual lament in the first person spoken by the personified city (vv. 12–22).

1:1 How desolate the city sits The Hebrew title of the book comes from its opening word, ekhah (“how”). The grief over the destruction of the city is similar to the genre of “city lament” in Mesopotamian literature, where the destruction of a city is mourned and attributed to divine judgment and abandonment. Ekhah starts with the first letter of the Hebrew alphabet, aleph. Most of the poems in Lamentations follow the acrostic pattern.

The alphabetic acrostic is the most prominent literary device in the book of Lamentations, but it is difficult to represent in translation. Each successive verse in chs. 1–2 and Lam 4 begins with the next letter of the 22-letter Hebrew alphabet. In ch. 3, each letter is used for three successive verses. Chapter 5 does not use an acrostic, though it also contains 22 verses. The acrostic device may have been employed simply to highlight the writer’s poetic skill in aligning his thoughts with the literary form. Other acrostics in the ot include Pss 34; 111, and 119.

Lament EDB

Acrostic AYBD

Acrostic ISBE

full of people The Hebrew poetry of Lam 1–4 reflects a deliberate style and structure known as a qinah. This poetic form deploys intentionally unbalanced lines. This line in Lamentations, for example, uses two words in Hebrew, following the three words in the first line.

The qinah meter is a word-stress rhythm with a longer half line followed by a shorter half line, usually three words in the first and two in the second. It was named after its use in formal lament poetry (qinah means “lament”), but the meter is not exclusive to laments, nor do all laments use the meter. For example, Isa 40:9–11 and Song 1:9–11 use the meter, though they are not laments, and 2 Sam 1:17–27 does not use it, though it is a lament. The book of Lamentations, like most Hebrew poetry, is not consistent in using the pattern.

like a widow Bereaved of inhabitants (children) and husband (Yahweh). Compare Isa 54:1–7.

Depicting the city as a widow reflects Jerusalem’s overall loss of status. Everything that provided prestige and stability in ancient Near Eastern society has been taken away. Widowhood symbolized vulnerability and poverty in ancient Near Eastern society. The fact that male-dominated social structures left widows and others without a legal advocate seems to have been recognized by ancient writers, who encouraged the powerful to deal justly with them (see Code of Hammurabi; compare Luke 18:1–8).

a woman of nobility in the provinces Laments Jerusalem’s fall from past glory. Compare Lam 5:16 and Ezek 16:10–14.

The transformation from princess to slave represents Jerusalem’s utter humiliation. The imagery of this lament is similar to Isa 47:1–15, which personifies Babylon as a royal woman brought to ruin, including widowhood (compare Isa 47:1, 8).

1:2 her lovers Former allies. The prophets depicted Israel’s political and spiritual abandonment of Yahweh as adultery. See Jer 3:1; 4:30; 22:20–22; 30:14; Ezek 16:26–37; 23:22–27. See note on Isa 1:21.

1:3 Judah has gone into exile Deportation was a common practice for the Assyrians and Babylonians, but it was also the ultimate punishment for breaking the covenant with Yahweh (Deut 28:64–68). Judah experienced three deportations to Babylon. See Jer 52:28–30 and note.

Exile ISBE

1:4 Zion Another name for Jerusalem, referring to the Temple Mount as the center for worship in Israel. The population has been decimated or deported and the temple destroyed, so no worshipers are coming.

1:5 Yahweh has made her suffer Judgment has come from Yahweh as a result of their sin. Compare Jer 30:14–15. Before the exile, the prophets warned Judah in vain that judgment was imminent because the people had turned away from God (e.g., Jer 11:1–13; 17:1–4). They had been warned that one of the consequences of breaking faith with Yahweh would be exile (Lev 26:33; Deut 28:36). The purpose of the discipline is correction, not destruction (compare Prov 3:11–12).

1:6 the daughter of Zion A metaphor for Jerusalem. See note on Isa 1:8.

they have gone away without strength, before the pursuer These lines may be alluding to the events described in 2 Kgs 25:3–6 when King Zedekiah and his officials fled besieged Jerusalem by night, only to be captured by the Babylonians.

1:8 they have seen her nakedness Alluding to adultery and public shame. The language of Lam 1:8–9 presents public exposure as the humiliating punishment for sexual infidelity. Similar language serves the same function in Isa 47:3; Jer 13:22, Jer 13:26; Ezek 16:37 and Nah 3:5–6.

1:9 she did not remember her future The parallel imagery from Jer 13:22 suggests personified Zion feigned ignorance that her sin was the cause of the disaster that struck her. See Jer 13:22 and note.

See, O Yahweh, my persecution The woman who personifies Zion now interjects with a cry to Yahweh. Many first-person laments in both the books of Jeremiah and Lamentations reflect the voice of personified Zion. See Jer 10:19–21 and note.

1:10 the nations, they entered her sanctuary The Babylonians plundered the temple before burning it down (see 2 Kgs 25:9–17).

to enter in your Compare Deut 23:3–6.

1:11 See, O Yahweh Personified Zion speaks. See note on Lam 1:9.

1:14 My rebellion was bound as a yoke The yoke was a symbol of judgment. See Deut 28:48. In other contexts, the yoke represents subjection to a stronger power or authority (see Isa 9:4; 58:6; Jer 5:5; 27:8). See note on Jer 5:5.

1:15 a wine press, the Lord has trodden Judah is like the grapes smashed underfoot in a winepress. Compare Isa 63:2–3.

1:17 Zion stretches out her hands The first-person lament of personified Zion is interrupted with a comment from the narrator, describing the scene. Zion is looking for help and comfort.

1:18 I have rebelled against his word Jerusalem confesses that she was justly punished on account of her rebellion. Compare Jer 14:7, 20.

1:19 my priests and elders perished in the city The religious and civil leaders who led Israel astray (see Jer 2:8 and note; compare Ezek 7:26–27).

1:20 my stomach The Hebrew word refers to internal digestive organs. See note on Jer 4:19.

1:22 deal with them The poetry of the ot often contains calls like this for Yahweh to judge enemies (e.g., Pss 28:4; 35:1–28). Now that judgment has come on Jerusalem, the city longs that Yahweh’s promised day of judgment would come on the other nations (compare Isa 47:11; Jer 30:16).

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