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1 & 2 Samuel
Four lives dominate the two-volume narrative, First and Second Samuel: Hannah, Samuel, Saul, and David. Chronologically, the stories are clustered around the year 1000 b.c., the millennial midpoint between the call of Abraham, the father of Israel, nearly a thousand years earlier (about 1800 b.c.) and the birth of Jesus, the Christ, a thousand years later.
These four lives become seminal for us at the moment we realize that our ego-bound experience is too small a context in which to understand and experience what it means to believe in God and follow his ways. For these are large lives—large because they live in the largeness of God. Not one of them can be accounted for in terms of cultural conditions or psychological dynamics; God is the country in which they live.
Most of us need to be reminded that these stories are not exemplary in the sense that we stand back and admire them, like statues in a gallery, knowing all the while that we will never be able to live either that gloriously or tragically ourselves. Rather they are immersions into the actual business of living itself: this is what it means to be human. Reading and praying our way through these pages, we get it; gradually but most emphatically we recognize that what it means to be a woman, a man, mostly has to do with God. These four stories do not show us how we should live but how in fact we do live, authenticating the reality of our daily experience as the stuff that God uses to work out his purposes of salvation in us and in the world.
The stories do not do this by talking about God, for there is surprisingly little explicit God talk here—whole pages sometimes without the name of God appearing. But as the narrative develops we realize that God is the commanding and accompanying presence that provides both plot and texture to every sentence. This cluster of interlocking stories trains us in perceptions of ourselves, our sheer and irreducible humanity, that cannot be reduced to personal feelings or ideas or circumstances. If we want a life other than mere biology, we must deal with God. There is no alternate way.
One of many welcome consequences in learning to “read” our lives in the lives of Hannah, Samuel, Saul, and David is a sense of affirmation and freedom: we don’t have to fit into prefabricated moral or mental or religious boxes before we are admitted into the company of God—we are taken seriously just as we are and given a place in his story, for it is, after all, his story; none of us is the leading character in the story of our life.
For the biblical way is not so much to present us with a moral code and tell us “Live up to this”; nor is it to set out a system of doctrine and say, “Think like this and you will live well.” The biblical way is to tell a story and invite us, “Live into this. This is what it looks like to be human; this is what is involved in entering and maturing as human beings.” We do violence to the biblical revelation when we “use” it for what we can get out of it or what we think will provide color and spice to our otherwise bland lives. That results in a kind of “boutique spirituality”—God as decoration, God as enhancement. The Samuel narrative will not allow that. In the reading, as we submit our lives to what we read, we find that we are not being led to see God in our stories but to see our stories in God’s. God is the larger context and plot in which our stories find themselves.
Such reading will necessarily be a prayerful reading—a God-listening, God-answering reading. The story, after all, is framed by prayer: Hannah’s prayer at the beginning (1 Samuel 2), and David’s near the end (2 Samuel 22–23).
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About The Message: The Bible in Contemporary LanguageMany people assume that a book about a holy God should sound elevated, stately, and ceremonial. If this is how you’ve always viewed the Bible, you’re about to make a surprising discovery. The Message brings the life-changing power of the New Testament, the vibrant passion of the Psalms, and the rich, practical wisdom of Proverbs into easy-to-read modern language that echoes the rhythm and idioms of the original Greek and Hebrew. Written in the same kind of language you’d use to talk with friends, write a letter, or discuss politics, The Message preserves the authentic, earthy flavor and the expressive character of the Bible’s best-loved books. Whether you’ve been reading the Bible for years or are exploring it for the first time, The Message will startle and surprise you. And it will allow you to experience firsthand the same power and directness that motivated its original readers to change the course of history so many centuries ago. |
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Copyright 2005 Eugene H. Peterson. THE MESSAGE text may be quoted in any form (written, visual, electronic, or audio), up to and inclusive of five hundred (500) verses, without express written permission of the publisher, NavPress Publishing Group, providing the verses quoted do not amount to a complete book of the Bible and do not account for 25 percent or more of the total text of the work in which they are quoted. Notice of copyright must appear as follows on either the title page or the copyright page of the work in which THE MESSAGE is quoted: “Scripture taken from THE MESSAGE. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.” When quotations from THE MESSAGE text are used in nonsaleable media, such as church bulletins, orders of service, posters, transparencies, or similar media, a complete copyright notice is not required, but “The Message” must appear at the end of each quotation. Permission requests for commercial and noncommercial use that exceed the above guidelines must be directed to and approved in writing by NavPress Publishing Group, Permissions, P.O. Box 35001, Colorado Springs, CO 80935. |
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