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The Heart Is Hopelessly Dark and Deceitful
1–2 17 “Judah’s sin is engraved
with a steel chisel,
A steel chisel with a diamond point—
engraved on their granite hearts,
engraved on the stone corners of their altars.
The evidence against them is plain to see:
sex-and-religion altars and sacred sex shrines
Anywhere there’s a grove of trees,
anywhere there’s an available hill.
3–4 “I’ll use your mountains as roadside stands
for giving away everything you have.
All your ‘things’ will serve as reparations
for your sins all over the country.
You’ll lose your gift of land,
The inheritance I gave you.
I’ll make you slaves of your enemies
in a far-off and strange land.
My anger is hot and blazing and fierce,
and no one will put it out.”
“Cursed is the strong one
who depends on mere humans,
Who thinks he can make it on muscle alone
and sets God aside as dead weight.
He’s like a tumbleweed on the prairie,
out of touch with the good earth.
He lives rootless and aimless
in a land where nothing grows.
7–8 “But blessed is the man who trusts me, God,
the woman who sticks with God.
They’re like trees replanted in Eden,
putting down roots near the rivers—
Never a worry through the hottest of summers,
never dropping a leaf,
Serene and calm through droughts,
bearing fresh fruit every season.
9–10 “The heart is hopelessly dark and deceitful,
a puzzle that no one can figure out.
and examine the mind.
I get to the heart of the human.
I get to the root of things.
I treat them as they really are,
not as they pretend to be.”
11 Like a cowbird that cheats by laying its eggs
in another bird’s nest
Is the person who gets rich by cheating.
When the eggs hatch, the deceit is exposed.
What a fool he’ll look like then!
12–13 From early on your Sanctuary was set high,
a throne of glory, exalted!
O God, you’re the hope of Israel.
All who leave you end up as fools,
Deserters with nothing to show for their lives,
who walk off from God, fountain of living waters—
and wind up dead!
14–18 God, pick up the pieces.
Put me back together again.
You are my praise!
Listen to how they talk about me:
“So where’s this ‘Word of God’?
We’d like to see something happen!”
But it wasn’t my idea to call for Doomsday.
I never wanted trouble.
You know what I’ve said.
It’s all out in the open before you.
Give me some relief!
Let those who harass me be harassed, not me.
Let them be disgraced, not me.
Bring down upon them the day of doom.
Lower the boom. Boom!
19–20 God’s Message to me: “Go stand in the People’s Gate, the one used by Judah’s kings as they come and go, and then proceed in turn to all the gates of Jerusalem. Tell them, ‘Listen, you kings of Judah, listen to God’s Message—and all you people who go in and out of these gates, you listen!
21–23 “ ‘This is God’s Message. Be careful, if you care about your lives, not to desecrate the Sabbath by turning it into just another workday, lugging stuff here and there. Don’t use the Sabbath to do business as usual. Keep the Sabbath day holy, as I commanded your ancestors. They never did it, as you know. They paid no attention to what I said and went about their own business, refusing to be guided or instructed by me.
24–26 “ ‘But now, take seriously what I tell you. Quit desecrating the Sabbath by busily going about your own work, and keep the Sabbath day holy by not doing business as usual. Then kings from the time of David and their officials will continue to ride through these gates on horses or in chariots. The people of Judah and citizens of Jerusalem will continue to pass through them, too. Jerusalem will always be filled with people. People will stream in from all over Judah, from the province of Ben-jamin, from the Jerusalem suburbs, from foothills and mountains and deserts. They’ll come to worship, bringing all kinds of offerings—animals, grains, incense, expressions of thanks—into the Sanctuary of God.
27 “ ‘But if you won’t listen to me, won’t keep the Sabbath holy, won’t quit using the Sabbath for doing your own work, busily going in and out of the city gates on your self-important business, then I’ll burn the gates down. In fact, I’ll burn the whole city down, palaces and all, with a fire nobody will be able to put out!’ ”
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About The Message: The Bible in Contemporary LanguageMany people assume that a book about a holy God should sound elevated, stately, and ceremonial. If this is how you’ve always viewed the Bible, you’re about to make a surprising discovery. The Message brings the life-changing power of the New Testament, the vibrant passion of the Psalms, and the rich, practical wisdom of Proverbs into easy-to-read modern language that echoes the rhythm and idioms of the original Greek and Hebrew. Written in the same kind of language you’d use to talk with friends, write a letter, or discuss politics, The Message preserves the authentic, earthy flavor and the expressive character of the Bible’s best-loved books. Whether you’ve been reading the Bible for years or are exploring it for the first time, The Message will startle and surprise you. And it will allow you to experience firsthand the same power and directness that motivated its original readers to change the course of history so many centuries ago. |
| Copyright |
Copyright 2005 Eugene H. Peterson. THE MESSAGE text may be quoted in any form (written, visual, electronic, or audio), up to and inclusive of five hundred (500) verses, without express written permission of the publisher, NavPress Publishing Group, providing the verses quoted do not amount to a complete book of the Bible and do not account for 25 percent or more of the total text of the work in which they are quoted. Notice of copyright must appear as follows on either the title page or the copyright page of the work in which THE MESSAGE is quoted: “Scripture taken from THE MESSAGE. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.” When quotations from THE MESSAGE text are used in nonsaleable media, such as church bulletins, orders of service, posters, transparencies, or similar media, a complete copyright notice is not required, but “The Message” must appear at the end of each quotation. Permission requests for commercial and noncommercial use that exceed the above guidelines must be directed to and approved in writing by NavPress Publishing Group, Permissions, P.O. Box 35001, Colorado Springs, CO 80935. |
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