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1–5 44 “But for now, dear servant Jacob, listen—
yes, you, Israel, my personal choice.
God who made you has something to say to you;
the God who formed you in the womb wants to help you.
Don’t be afraid, dear servant Jacob,
Jeshurun, the one I chose.
For I will pour water on the thirsty ground
and send streams coursing through the parched earth.
I will pour my Spirit into your descendants
and my blessing on your children.
They shall sprout like grass on the prairie,
like willows alongside creeks.
This one will say, ‘I am God’s,’
and another will go by the name Jacob;
That one will write on his hand ‘God’s property’—
and be proud to be called Israel.”
your Redeemer, God-of-the-Angel-Armies, says:
“I’m first, I’m last, and everything in between.
I’m the only God there is.
Speak up. See if you measure up.
From the beginning, who else has always announced what’s coming?
So what is coming next? Anybody want to venture a try?
Don’t be afraid, and don’t worry:
Haven’t I always kept you informed, told you what was going on?
You’re my eyewitnesses:
Have you ever come across a God, a real God, other than me?
There’s no Rock like me that I know of.”
9–11 All those who make no-god idols don’t amount to a thing, and what they work so hard at making is nothing. Their little puppet-gods see nothing and know nothing—they’re total embarrassments! Who would bother making gods that can’t do anything, that can’t “god”? Watch all the no-god worshipers hide their faces in shame. Watch the no-god makers slink off humiliated when their idols fail them. Get them out here in the open. Make them face God-reality.
12 The blacksmith makes his no-god, works it over in his forge, hammering it on his anvil—such hard work! He works away, fatigued with hunger and thirst.
13–17 The woodworker draws up plans for his no-god, traces it on a block of wood. He shapes it with chisels and planes into human shape—a beautiful woman, a handsome man, ready to be placed in a chapel. He first cuts down a cedar, or maybe picks out a pine or oak, and lets it grow strong in the forest, nourished by the rain. Then it can serve a double purpose: Part he uses as firewood for keeping warm and baking bread; from the other part he makes a god that he worships—carves it into a god shape and prays before it. With half he makes a fire to warm himself and barbecue his supper. He eats his fill and sits back satisfied with his stomach full and his feet warmed by the fire: “Ah, this is the life.” And he still has half left for a god, made to his personal design—a handy, convenient no-god to worship whenever so inclined. Whenever the need strikes him he prays to it, “Save me. You’re my god.”
18–19 Pretty stupid, wouldn’t you say? Don’t they have eyes in their heads? Are their brains working at all? Doesn’t it occur to them to say, “Half of this tree I used for firewood: I baked bread, roasted meat, and enjoyed a good meal. And now I’ve used the rest to make an abominable no-god. Here I am praying to a stick of wood!”
20 This lover of emptiness, of nothing, is so out of touch with reality, so far gone, that he can’t even look at what he’s doing, can’t even look at the no-god stick of wood in his hand and say, “This is crazy.”
21–22 “Remember these things, O Jacob.
Take it seriously, Israel, that you’re my servant.
I made you, shaped you: You’re my servant.
O Israel, I’ll never forget you.
I’ve wiped the slate of all your wrongdoings.
There’s nothing left of your sins.
Come back to me, come back.
I’ve redeemed you.”
God has done it.
Deep earth, shout!
And you mountains, sing!
A forest choir of oaks and pines and cedars!
God has redeemed Jacob.
God’s glory is on display in Israel.
who shaped your life in your mother’s womb, says:
“I am God. I made all that is.
With no help from you I spread out the skies
and laid out the earth.”
25–28 He makes the magicians look ridiculous
and turns fortunetellers into jokes.
He makes the experts look trivial
and their latest knowledge look silly.
But he backs the word of his servant
and confirms the counsel of his messengers.
He says to Jerusalem, “Be inhabited,”
and to the cities of Judah, “Be rebuilt,”
and to the ruins, “I raise you up.”
I’m drying up your rivers.”
He says to Cyrus, “My shepherd—
everything I want, you’ll do it.”
He says to Jerusalem, “Be built,”
and to the Temple, “Be established.”
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About The Message: The Bible in Contemporary LanguageMany people assume that a book about a holy God should sound elevated, stately, and ceremonial. If this is how you’ve always viewed the Bible, you’re about to make a surprising discovery. The Message brings the life-changing power of the New Testament, the vibrant passion of the Psalms, and the rich, practical wisdom of Proverbs into easy-to-read modern language that echoes the rhythm and idioms of the original Greek and Hebrew. Written in the same kind of language you’d use to talk with friends, write a letter, or discuss politics, The Message preserves the authentic, earthy flavor and the expressive character of the Bible’s best-loved books. Whether you’ve been reading the Bible for years or are exploring it for the first time, The Message will startle and surprise you. And it will allow you to experience firsthand the same power and directness that motivated its original readers to change the course of history so many centuries ago. |
| Copyright |
Copyright 2005 Eugene H. Peterson. THE MESSAGE text may be quoted in any form (written, visual, electronic, or audio), up to and inclusive of five hundred (500) verses, without express written permission of the publisher, NavPress Publishing Group, providing the verses quoted do not amount to a complete book of the Bible and do not account for 25 percent or more of the total text of the work in which they are quoted. Notice of copyright must appear as follows on either the title page or the copyright page of the work in which THE MESSAGE is quoted: “Scripture taken from THE MESSAGE. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.” When quotations from THE MESSAGE text are used in nonsaleable media, such as church bulletins, orders of service, posters, transparencies, or similar media, a complete copyright notice is not required, but “The Message” must appear at the end of each quotation. Permission requests for commercial and noncommercial use that exceed the above guidelines must be directed to and approved in writing by NavPress Publishing Group, Permissions, P.O. Box 35001, Colorado Springs, CO 80935. |
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