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1–8 30 “But no longer. Now I’m the butt of their jokes—
young ruffians! whippersnappers!
Why, I considered their fathers
mere inexperienced pups.
But they are worse than dogs—good for nothing,
stray, mangy animals,
Half-starved, scavenging the back alleys,
howling at the moon;
chewing on old bones and licking old tin cans;
cursed as dangerous delinquents.
Nobody would put up with them;
they were driven from the neighborhood.
You could hear them out there at the edge of town,
yelping and barking, huddled in junkyards,
A gang of beggars and no-names,
thrown out on their ears.
9–15 “But now I’m the one they’re after,
mistreating me, taunting and mocking.
How dare those scoundrels—they spit in my face!
Now that God has undone me and left me in a heap,
they hold nothing back. Anything goes.
They come at me from my blind side,
trip me up, then jump on me while I’m down.
They throw every kind of obstacle in my path,
determined to ruin me—
and no one lifts a finger to help me!
trample through the rubble of my ruined life.
my dignity in shreds,
salvation up in smoke.
16–19 “And now my life drains out,
as suffering seizes and grips me hard.
the pain never lets up.
I am tied hand and foot, my neck in a noose.
I twist and turn.
I’m a muddy mess, inside and out.
What Did I Do to Deserve This?
20–23 “I shout for help, God, and get nothing, no answer!
I stand to face you in protest, and you give me a blank stare!
You’ve turned into my tormenter—
you slap me around, knock me about.
You raised me up so I was riding high
and then dropped me, and I crashed.
I know you’re determined to kill me,
to put me six feet under.
24–31 “What did I do to deserve this?
Did I ever hit anyone who was calling for help?
Haven’t I wept for those who live a hard life,
been heartsick over the lot of the poor?
I expected good but evil showed up.
I looked for light but darkness fell.
My stomach’s in a constant churning, never settles down.
Each day confronts me with more suffering.
I walk under a black cloud. The sun is gone.
I stand in the congregation and protest.
I hoot with the owls.
burning up with fever.
My fiddle plays nothing but the blues;
my mouth harp wails laments.”
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About The Message: The Bible in Contemporary LanguageMany people assume that a book about a holy God should sound elevated, stately, and ceremonial. If this is how you’ve always viewed the Bible, you’re about to make a surprising discovery. The Message brings the life-changing power of the New Testament, the vibrant passion of the Psalms, and the rich, practical wisdom of Proverbs into easy-to-read modern language that echoes the rhythm and idioms of the original Greek and Hebrew. Written in the same kind of language you’d use to talk with friends, write a letter, or discuss politics, The Message preserves the authentic, earthy flavor and the expressive character of the Bible’s best-loved books. Whether you’ve been reading the Bible for years or are exploring it for the first time, The Message will startle and surprise you. And it will allow you to experience firsthand the same power and directness that motivated its original readers to change the course of history so many centuries ago. |
| Copyright |
Copyright 2005 Eugene H. Peterson. THE MESSAGE text may be quoted in any form (written, visual, electronic, or audio), up to and inclusive of five hundred (500) verses, without express written permission of the publisher, NavPress Publishing Group, providing the verses quoted do not amount to a complete book of the Bible and do not account for 25 percent or more of the total text of the work in which they are quoted. Notice of copyright must appear as follows on either the title page or the copyright page of the work in which THE MESSAGE is quoted: “Scripture taken from THE MESSAGE. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.” When quotations from THE MESSAGE text are used in nonsaleable media, such as church bulletins, orders of service, posters, transparencies, or similar media, a complete copyright notice is not required, but “The Message” must appear at the end of each quotation. Permission requests for commercial and noncommercial use that exceed the above guidelines must be directed to and approved in writing by NavPress Publishing Group, Permissions, P.O. Box 35001, Colorado Springs, CO 80935. |
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