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118:1–29 Psalm 118, which could be considered a praise psalm or thanksgiving psalm, concludes the collection of Egyptian Hallel psalms (see note on 113:1–9). After an introductory exhortation (vv. 1–4), it alternates between personal testimony from a first-person singular perspective (“I”; “my”) and a communal liturgy first-person plural perspective (“we”; “us”). The psalmist describes Yahweh’s deliverance (vv. 5–7, 10–15, 17–21) as the congregation responds to that testimony (vv. 8–9, 22–27). The psalm closes as both the psalmist (v. 28) and congregation (v. 29) praise Yahweh. Psalm 118 held particular importance for the nt authors who quoted from it often (focusing especially on vv. 22–23, 25–26).

118:1–4 Psalm 118 begins and ends with a call to give thanks to Yahweh (vv. 1, 29). The speaker may be a minister in a liturgical setting, or the psalmist might be providing a bookend structure to frame the psalm. Verse 1 and 118:29 are verbatim repetitions of 106:1 and 107:1.

Following the opening line, the psalmist exhorts three addressees (Israel, priests, and believers in general) to confess Yahweh’s faithful love (compare 115:9–13). This repetitive opening series introduces the rest of Psa 118 and establishes the focus on Yahweh’s faithfulness that continues through the psalm.

118:1 See note on vv. 1–4.

Give thanks Refers to making glad remembrance of God’s actions.

118:2 Israel The psalmist first mentions Israel as a unit. He then divides the people into priests and worshipers. Compare 115:9.

His loyal love is forever Repeats as a refrain in vv. 1–4 (see v. 1 and note).

118:3 the house of Aaron Refers to the priests.

118:4 those who fear Yahweh Refers to faithful worshipers. See note on 90:11.

118:5–7 The individual testimony of a king figure is the main focus of roughly the first half of this psalm. This short passage begins the testimony of the king figure, which continues further in vv. 10–18.

118:5 I called to The psalmist asks God to help. Compare 91:15; 99:6.

answered God helped the person asking, indicating He approved of that person. See 91:15; 99:6; 102:7.

118:8–9 The psalmist interrupts the testimony of the king figure with a brief statement of a general principle. The speaker may be the community participating in a liturgy, or it may be a minister.

118:8 to trust See note on 115:8.

118:9 take refuge in Yahweh Repeated from v. 8.

princes The situation of the king in vv. 10–13 indicates that trusting princes may refer to making political alliances.

118:10–13 Although vv. 10–18 occurs in the first-person singular perspective, the passage can be divided further. Verses 10–13 indicates that the speaker is a king, since he is surrounded by other nations and he cuts them off in the name of Yahweh. This passage depicts a battle situation in which the king emerges victorious with Yahweh’s help.

118:10 nations Probably refers to enemies from geographical territories outside of Israel.

surrounded me The repetition of the word savav (“to surround”) throughout vv. 10–12 portrays the king’s situation as seemingly hopeless.

the name of Yahweh The king’s actions were based on Yahweh’s authority and enabled by Yahweh’s power. See note on 91:14.

I opposed them The Hebrew word used here, mul, usually means “to circumcise” (see Gen 17:1–14). The psalmist may be employing a play on words: Not only are the unclean enemies of God struck down by the covenant-keeping Yahweh—whose covenant is symbolized by the cutting of circumcision—but they are cut down while encircling Yahweh’s servant (see Psa 118:10–12).

118:12 like bees An image portraying numerous, uncontrollable enemies. In parts of the ancient Near East, bees were a symbol of relentless pursuit.

Bee EDB

like a fire of thorns Forms an image of quick consumption—a fire burning through dry brush.

118:13 You pushed me hard The Hebrew here seems to indicate that the king figure is speaking directly to his enemies.

118:14–18 This group of affirmations of Yahweh’s deliverance echoes both the exodus story and other psalms (e.g., 60:12; 108:13). These verses emphasize that Yahweh’s deliverance has saved the king figure.

118:14 This verse quotes Exod 15:2, part of the Song of Moses that immediately follows the narrative account of Israel’s deliverance at the Red Sea in Exod 14.

Yah is my strength and my song Focuses on God as both help and object of worship.

he has become my salvation Yahweh’s saving acts are centered in who He is, not merely His deeds.

118:15 the tents of the righteous It is unclear what element of Israel’s history this line alludes to. In the context of the king’s battle with the nations, the tents may be the tents of his army.

the right hand of Yahweh God’s hand is often viewed as a source of protection and blessing.

118:17 tell of the works of Yah The natural outflow of the king figure’s deliverance is declaring God’s deeds in public.

118:18 has disciplined me severely The psalmist may be describing strenuous training or some sort of punishment.

In the ot, God is never disinterested or distant from His people; He corrects them and guides them. When His people are responsive, God does not have to escalate the means by which to correct them. However, when Israel remains stubbornly disobedient, God escalates His punishment of Israel to catastrophic proportions.

Discipline HIBD

118:19–21 Following the king figure’s testimony, the psalm presents what seems to be a formalized dialogue involving the king and another voice. The king requests entry into what seems to be the temple, and a voice (either the community or minister) explains the requirements. The king figure then shifts into direct address, and expresses thanks to Yahweh. This direct address resumes briefly in Ps 118:28.

118:19 the gates of righteousness Probably refers to the gates of the temple in Jerusalem.

118:20 the gate of Yahweh Refers to the entrance to the temple in Jerusalem.

the righteous The term tsaddiq (“morally just” or “devout”) can refer to both people and God. Those who keep God’s commands and faithfully observe His requirements are righteous.

118:21 you have become my salvation Echoes v. 14.

118:22–27 This section, which seems to be spoken by the community, is mostly oriented toward the king figure and Yahweh’s deliverance of him. Verses 22–24 is a unit, but vv. 25, 26, and 27 could all be analyzed separately as successive stages in the community’s response to Yahweh.

118:22–24 This section is the worshiping community’s initial response to the king figure’s deliverance.

118:22 This verse is a sort of proverb or truism that is applied to Israel’s king. The sense is that a stone that is rejected for one purpose can be used for another one. Jesus quotes vv. 22–23 in Matt 21:42–43 and Mark 12:10–11 in the context of His parable of the tenants and the vineyard.

the chief cornerstone Illustrates that an unwanted stone has been reused and placed in a position of importance. The Hebrew phrase used here, rosh pinnah—which may be literally rendered “head of the corner”—could refer to a cornerstone, located at the bottom of a structure, or a capstone, which is located at the top of a structure.

The messianic interpretation of the cornerstone of Psa 118:22 seems to have its roots in the use of Psa 118 as part of the Hallel psalms used in the annual Passover celebration (see note on 113:1–9). Jews of the Second Temple period (516 bcad 70) primarily associated Psa 118 with the Davidic king and the messianic hopes surrounding him. However, Psa 118 is not the only source for the messianic stone imagery. Isaiah 8:14 and 28:16 can also be associated with messianic imagery of a stumbling stone or a stone that gave offense.

Headstone HIBD

118:25 This counterintuitive interjection by the community here may be a strong affirmation that Israel trusts in Yahweh alone and not the king. Alternatively, the psalm may be reliving the experience of crisis and deliverance; however, nothing in the psalm indicates such a shift in agenda.

118:26 The psalm resumes a sense of joy after the brief interlude of Ps 118:25. The congregation seems to turn its attention to welcoming the vindicated king. The blessing comes from the house of Yahweh (beth yhwh in Hebrew), not the congregation’s authority.

All four gospels quote v. 26 within the context of Christ’s triumphal entry into Jerusalem (Matt 21:9; Mark 11:9; Luke 19:38; John 12:13).

Blessed is The term barukh is often used of God. Here, it refers to the king figure who comes in His authority. See note on Ps 103:1.

from the house of Yahweh The blessing is based on God’s authority, not on any presumption by the community of worshipers.

118:27 he has given us light Compare 97:11; 112:4.

the festal sacrifice The word chag used here refers simply to a festival. The presence of the altar indicates this is a festal sacrifice.

118:28–29 Verse 28 resumes both the first-person singular perspective and direct address to Yahweh that last appeared in v. 21. After a personal commitment to praise Yahweh, the psalm closes by restating the first verse of the psalm, a call to give thanks to Yahweh (vv. 1, 29). See note on vv. 1–4.

118:28 You are my God The king figure concludes with a statement of loyalty following his deliverance from danger. As king, he serves as an emblem for the entire nation of Israel, and his words resonate with covenant language as found in verses like Exod 6:7 and Lev 26:12.

118:29 The psalmist closes by repeating his call for the audience to remember Yahweh’s actions. See Ps 118:1.

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