42:1–9 This is the first of four poems in chs. 40–55 focused on the figure of the Servant of Yahweh. The first half (vv. 1–4) describes a servant, while the second half (vv. 5–9) turns to the topic of Yahweh’s superiority over idols—a theme continued in vv. 10–17. The four Servant Songs are found in vv. 1–9; 49:1–7; 50:4–9; and 52:13–53:12. The transition in identity of the Servant figure from corporate Israel to an individual acting on Israel’s behalf in chs. 40–55 complicates the understanding of these passages. This first Servant Song may be addressed to corporate Israel while the second Servant Song in 49:1–7 may mark the transition of the role to an individual. However, all references to a servant in chs. 40–48 (with the notable exception of vv. 1–9) explicitly identify the servant as corporate Israel (41:8–9; 42:18–25; 43:1–10; 44:1–2, 21; 45:4; 48:20). If this passage is about Israel as a people, then vv. 6–7 reflect their corporate calling to be a blessing to the peoples of the world (compare Gen 12:3). Their inability to fulfill their calling results in the mission being reassigned to an individual Servant (Isa 49:6). Alternately, the lack of explicit identification of this servant as Israel in vv. 1–9 along with the strong literary connections to the messianic imagery in 11:1–10 supports understanding the Servant as a representative of Israel as a whole—as the Davidic king who represents the people before God. The Gospel of Matthew sees the fulfillment of this prophecy in Jesus Christ (Matt 12:18–21). |
42:1 my servant Identified as “Israel” in Isa 41:8, also having been “chosen.” The Servant here may also be a messianic figure (compare with 11:2–4).
I have put my spirit on him The Servant is described with language similar to the Davidic Messiah from 11:2; He receives the Spirit of God, which enables Him to act with wisdom and justice.
he will bring justice forth to the nations See 11:3–4.
42:2 He will not cry out He will come quietly, not drawing attention to himself (compare 53:7).
42:3 He will not break a broken reed The Servant will not oppress those already beaten down and weakened. Bringing justice involves caring for the weak and oppressed (see 1:17–18).
42:4 He will not grow faint He is supported by the Spirit and resting in Yahweh (see 40:31).
he has established justice in the earth One of the hallmarks of the Messiah’s reign is the establishment of perfect justice on earth (see vv. 1; 11:1–10).
the coastlands Symbolizes the nations of the earth (see 60:9).
42:5 who created the heavens and stretched them out A common poetic image describing God’s creative activity (see 44:24; 45:12). The people can trust in God’s ability to keep these promises of future justice because He is both the Creator of all things from long ago and the One Who sustains life here and now.
42:6 I have called you in righteousness The pronoun “you” is singular here, demonstrating that the Servant figure is the light for the nations and the covenant for the people—not the collective nation of Israel.
a covenant of the people, as a light of Compare 49:6–8, which reinforces the identification of the individual Servant as the light for the nations and the covenant for the people. The Servant represents and serves God’s chosen people. In Luke 2:32, this concept is linked to ancient Jewish messianic expectation.
42:7 to open the blind eyes The restoration of Israel and the advent of the Messiah is accompanied by miraculous signs (see Isa 35:5).
bring the prisoner out The exiles are essentially imprisoned in a foreign land. The prophet’s message is meant to reassure them that God—through His Servant—will lead them to salvation.
42:9 the former things have come The things Yahweh predicted through His prophets have happened—proof of His deity (Isa 42:8).
42:10–17 A praise psalm rejoicing over the salvation and victory of Yahweh described in vv. 1–9. The polemic against idolatry is also a key theme of this song. |
42:10 a new song to Yahweh The “new song” is in praise of the “new things” Yahweh declared in v. 9. It refers to the new experience of Yahweh, rather than an entirely new song. Compare Psa 33:3.
42:11 the villages that Kedar inhabits Praise of Yahweh should come from all parts of the world—the geographical description started with “end of the earth” (Isa 42:10) and moved to greater specificity.
Sela A fortress in the wilderness of Edom.
42:13 Yahweh goes forth like a mighty warrior The praise in vv. 10–12 preceded Yahweh’s arrival; He arrives prepared to do battle on behalf of His people (see 40:10; 59:17).
he stirs up zeal The zeal of Yahweh brings salvation (see 9:7).
42:14 I have been silent The exile of Jewish captives to Babylon began in 605 bc; the destruction of Jerusalem and the temple occurred in 586 bc; and Cyrus announced their freedom to return in 539 bc. The exile had been prophesied to last 70 years; some of the first generation taken into captivity would have spent their entire lives in exile. To that generation, and even to those who had no memory of a homeland besides Babylon, it would have seemed like God abandoned them for a long time.
like one giving birth May draw on the idea of prolonged waiting followed by an intense period of activity or exertion.
42:15 I will cause mountains and hills to dry up Reversing the imagery of a revived wilderness in 41:18–19.
42:16 rough places into level ground See 40:4.
42:17 You are our gods The Babylonians treated images of their gods as embodiments of the gods themselves. See note on 21:9.
42:19 blind but my servant Here, the servant is used to describe wayward, sinful Israel in language reminiscent of 1:3 and 6:9–10. A comparison with the servant description in 41:8–10 suggests a contrast between the servant figures: collective Israel in need of salvation and the individual Servant through whom salvation will be accomplished.
42:22 a people plundered and looted God gave them the means to understand Him and His will—the Law (v. 21)—but Israel’s failure to understand required the judgment of being plundered (see v. 24 and 1:2–4).
all of them are trapped in holes Compare 2:19–22.
About Faithlife Study BibleFaithlife Study Bible (FSB) is your guide to the ancient world of the Old and New Testaments, with study notes and articles that draw from a wide range of academic research. FSB helps you learn how to think about interpretation methods and issues so that you can gain a deeper understanding of the text. |
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