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In addition to a comprehensive introduction and an analysis of text and form, Othmar Keel focuses on the metaphorical and symbolic language of the Song of Songs. He makes full use of parallels—textual and iconographic—from Palestine, Egypt, and Mesopotamia. More than 160 illustrations, prepared by Hildi Keel-Leu, add to the interpretation of the songs.

This mysterious self-portrayal is addressed to the “daughters of Jerusalem.” “Daughters” is used here to imply belonging; they are “residents of Jerusalem.” The “daughters of Shiloh” are the young, marriageable woman of that city (Judg. 21:21*). The women of Jerusalem are probably used in the Song as the stereotypical public (2:7*; 3:5*, 10*, 11*; 5:8*, 16*; 8:4*) because these spoiled, idle, and curious women of the capital city were said to be especially versed in matters of beauty and love (like
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