perceptive about the human experience than Pixar Studios. Pixar doesn’t just hold up a mirror to their audiences; they shatter it and force us to look beyond our reflection to understand what it means to be human. That’s why in most of their films, the characters teaching us about ourselves aren’t human at all. Whether it’s a toy cowboy (Woody in Toy Story), a clownfish (Marlin in Finding Nemo), a talking dog (Dug in Up) or a rusty, trash-collecting robot (WALL-E), Pixar writes our humanity into the most