The Book of Divine Works
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ST. HILDEGARD OF BINGEN

THE BOOK OF DIVINE WORKS

Translated by

NATHANIEL M. CAMPBELL

THE CATHOLIC UNIVERSITY OF AMERICA PRESS

Washington, D.C.

Copyright © 2018

THE CATHOLIC UNIVERSITY OF AMERICA PRESS

All rights reserved

Library of Congress Cataloging-in-Publication Data is available from the Library of Congress.

isbn 978-0-8132-3129-7

THE FATHERS OF THE CHURCH

MEDIAEVAL CONTINUATION

VOLUME 18

EDITORIAL BOARD

Gregory F. LaNave

Pontifical Faculty of the Immaculate Conception

Dominican House of Studies

Editorial Director

Regis J. Armstrong, O.F.M. Cap.

Joseph Goering

The Catholic University of America

University of Toronto

Peter Casarella

Frank A. C. Mantello

University of Notre Dame

The Catholic University of America

John Cavadini

Jan Ziolkowski

University of Notre Dame

Harvard University

Trevor Lipscombe

Director

The Catholic University of America Press

Carole Monica C. Burnett

Staff Editor

CONTENTS

Dedicatory Chronogram

Acknowledgments

Abbreviations

Illustrations

Select Bibliography

INTRODUCTION

Introduction

I. Liber Divinorum Operum: Summary

II. Themes

1. The Relationship between Divinity and Humanity: The Work of God

2. The Relationship between Humanity and Creation: Microcosm and Macrocosm

3. The Light of Divine Foreknowledge and the Eternal Predestination of Christ

4. Hildegard as Exegete

5. History and Symbolism

III. Manuscripts, Editions, and Principles of Translation

THE BOOK OF DIVINE WORKS

Prologue

PART I:

Vision 1: Theophany of Divine Love

Vision 2: The Cosmic Spheres and Human Being

Vision 3: Macrocosm of Winds, Microcosm of Humors

Vision 4: Cosmos, Body, and Soul: The Word Made Flesh

PART II:

Vision 1: The Earth: Life’s Merits, Purgatory, and Commentary on the Creation

PART III:

Vision 1: The City of God and the Mirror of the Angels

Vision 2: The City in Salvation History: Creation to Incarnation

Vision 3: The Fountain of God’s Work: Theophany of Divine Love, with Humility and Peace

Vision 4: Wisdom and the Ancient Counsel Unfolding in God’s Works

Vision 5: Divine Love upon the Wheel: Eternity and History

Epilogue

INDICES

General Index

Index of Holy Scripture

Index of References to Hildegard’s Works

DEDICATORY CHRONOGRAM

o Vas speCVLatIVVM

LVCIs VIVentIs:

praesta nobIs opVs DeI

In VerbIs et sIgnIs tVIs raCIonaLIbVs.

ACKNOWLEDGMENTS

Bringing Hildegard’s magnum opus into its first complete English translation required the help of many colleagues. I would like especially to thank Barbara Newman, for her invaluable assistance with difficult points of interpretation; Richard K. Emmerson, for illumination on apocalyptic and Antichrist lore; Ryan Thomas Martin Miller, O. P., and Hannah Matis, for points of theological and scriptural echo; Greti Dinkova-Bruun, for advice on some tricky passages; Christel Meier-Staubach and Kathryn Kerby-Fulton, for first taking me through the Liber divinorum operum; and E. J. Richards, Anna Siebach Larsen, and Nicole Eddy, for indefatigable aid in running down references and allusions.

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About The Book of Divine Works

Declared a Doctor of the Church in 2012, St. Hildegard of Bingen (1098–1179) is one of the most remarkable figures of medieval Latin Christianity. A visionary theologian and prophetic reformer, as well as composer, artist, and natural scientist, her voice echoes across the centuries to offer today an integrated vision of the relationship between cosmos and humanity.

Completed in 1173, The Book of Divine Works (Liber Divinorum Operum) is the culmination of the Visionary’s Doctor’s theological project, offered here for the first time in a complete and scholarly English translation. The first part explores the intricate physical and spiritual relationships between the cosmos and the human person, with the famous image of the universal Man standing astride the cosmic spheres. The second part examines the rewards for virtue and the punishments for vice, mapped onto a geography of purgatory, hellmouth, and the road to the heavenly city. At the end of each Hildegard writes extensive commentaries on the Prologue to John’s Gospel (Part 1) and the first chapter of Genesis (Part 2)—the only premodern woman to have done so. Finally, the third part tells the history of salvation, imagined as the City of God standing next to the mountain of God’s foreknowledge, with Divine Love reigning over all.

For Hildegard, the Incarnation is the key moment of all history, willed from eternity to complete God’s Work. God’s creative capacity and loving mission are thus shared with the humans he made in his image and likeness—for Hildegard, the incarnate Christ’s tunic and the Word’s creative rationality, respectively. Containing all creation within ourselves, we are divinely called to cooperate in the Creator’s work, to enter into a fruitful and sustainable relationship with creation. The scope of Hildegard’s visionary theology is both cosmic and close—reflections of God’s loving self-revelation are both grand and utterly intimate as the Work of God reaches from the very heart of infinity down into every smallest detail of the created world.

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