THE BOOK OF DIVINE WORKS
Translated by
NATHANIEL M. CAMPBELL
THE CATHOLIC UNIVERSITY OF AMERICA PRESS
Washington, D.C.
THE CATHOLIC UNIVERSITY OF AMERICA PRESS
All rights reserved
Library of Congress Cataloging-in-Publication Data is available from the Library of Congress.
isbn 978-0-8132-3129-7
THE FATHERS OF THE CHURCH
MEDIAEVAL CONTINUATION
VOLUME 18
EDITORIAL BOARD
Gregory F. LaNave
Pontifical Faculty of the Immaculate Conception
Dominican House of Studies
Editorial Director
Regis J. Armstrong, O.F.M. Cap. | Joseph Goering |
The Catholic University of America | University of Toronto |
Peter Casarella | Frank A. C. Mantello |
University of Notre Dame | The Catholic University of America |
John Cavadini | Jan Ziolkowski |
University of Notre Dame | Harvard University |
Trevor Lipscombe
Director
The Catholic University of America Press
Carole Monica C. Burnett
Staff Editor
I. Liber Divinorum Operum: Summary
1. The Relationship between Divinity and Humanity: The Work of God
2. The Relationship between Humanity and Creation: Microcosm and Macrocosm
3. The Light of Divine Foreknowledge and the Eternal Predestination of Christ
III. Manuscripts, Editions, and Principles of Translation
Vision 1: Theophany of Divine Love
Vision 2: The Cosmic Spheres and Human Being
Vision 3: Macrocosm of Winds, Microcosm of Humors
Vision 4: Cosmos, Body, and Soul: The Word Made Flesh
Vision 1: The Earth: Life’s Merits, Purgatory, and Commentary on the Creation
Vision 1: The City of God and the Mirror of the Angels
Vision 2: The City in Salvation History: Creation to Incarnation
Vision 3: The Fountain of God’s Work: Theophany of Divine Love, with Humility and Peace
Vision 4: Wisdom and the Ancient Counsel Unfolding in God’s Works
Vision 5: Divine Love upon the Wheel: Eternity and History
Index of References to Hildegard’s Works
o Vas speCVLatIVVM
LVCIs VIVentIs:
praesta nobIs opVs DeI
In VerbIs et sIgnIs tVIs raCIonaLIbVs.
Bringing Hildegard’s magnum opus into its first complete English translation required the help of many colleagues. I would like especially to thank Barbara Newman, for her invaluable assistance with difficult points of interpretation; Richard K. Emmerson, for illumination on apocalyptic and Antichrist lore; Ryan Thomas Martin Miller, O. P., and Hannah Matis, for points of theological and scriptural echo; Greti Dinkova-Bruun, for advice on some tricky passages; Christel Meier-Staubach and Kathryn Kerby-Fulton, for first taking me through the Liber divinorum operum; and E. J. Richards, Anna Siebach Larsen, and Nicole Eddy, for indefatigable aid in running down references and allusions.
The International ...
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About The Book of Divine WorksDeclared a Doctor of the Church in 2012, St. Hildegard of Bingen (1098–1179) is one of the most remarkable figures of medieval Latin Christianity. A visionary theologian and prophetic reformer, as well as composer, artist, and natural scientist, her voice echoes across the centuries to offer today an integrated vision of the relationship between cosmos and humanity. Completed in 1173, The Book of Divine Works (Liber Divinorum Operum) is the culmination of the Visionary’s Doctor’s theological project, offered here for the first time in a complete and scholarly English translation. The first part explores the intricate physical and spiritual relationships between the cosmos and the human person, with the famous image of the universal Man standing astride the cosmic spheres. The second part examines the rewards for virtue and the punishments for vice, mapped onto a geography of purgatory, hellmouth, and the road to the heavenly city. At the end of each Hildegard writes extensive commentaries on the Prologue to John’s Gospel (Part 1) and the first chapter of Genesis (Part 2)—the only premodern woman to have done so. Finally, the third part tells the history of salvation, imagined as the City of God standing next to the mountain of God’s foreknowledge, with Divine Love reigning over all. For Hildegard, the Incarnation is the key moment of all history, willed from eternity to complete God’s Work. God’s creative capacity and loving mission are thus shared with the humans he made in his image and likeness—for Hildegard, the incarnate Christ’s tunic and the Word’s creative rationality, respectively. Containing all creation within ourselves, we are divinely called to cooperate in the Creator’s work, to enter into a fruitful and sustainable relationship with creation. The scope of Hildegard’s visionary theology is both cosmic and close—reflections of God’s loving self-revelation are both grand and utterly intimate as the Work of God reaches from the very heart of infinity down into every smallest detail of the created world. |
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