and
IMAGINATION
in
C. S. LEWIS
A Study of Till We Have Faces
Peter J. Schakel
WILLIAM B. EERDMANS PUBLISHING COMPANY
grand rapids, michigan
Copyright © 1984 by William B. Eerdmans Publishing Company
255 Jefferson Ave. S.E., Grand Rapids, Mich. 49503
All rights reserved
Library of Congress Cataloging in Publication Data
Schakel, Peter J.
Reason and imagination in C.S. Lewis
Includes bibliographical references.
1. Lewis, C. S. (Clive Staples), 1898–1963. Till we have faces. 2. Cupid and Psyche (Tale)—History and criticism. 3. Reason in literature. 4. Imagination in literature. I. Title.
PR6023.E926T5437 1984 823′.912 84-1482
ISBN 0-8028-1998-2
To my Mother and Father,
with deep affection and appreciation
SECTION ONE—TILL WE HAVE FACES: THE WORK ITSELF
I Introduction: The Background
II Part I, Chapters 1–2: Methods, Motives, Materialism
III Chapters 3–5: Of Divine Mysteries and Sacrifice
IV Chapters 6–7: Love and Longing
V Chapters 8–11: Believing and Perceiving
VI Chapters 12–15: Seeing and Knowing
VII Chapters 16–20: Loving, Hating, Hiding
VIII Chapter 21: The Myth and the Retelling
IX Part II, Chapters 1–4: “Real Life is Meeting”
SECTION TWO—TILL WE HAVE FACES: THE WORK IN CONTEXT
X Poet of the Teens and Twenties: The Struggling Imagination
XI Critic and Story-Writer of the Thirties: Imagination as Servant
XII Apologist of the Forties: Reason as Master
XIII Autobiographer of the Fifties: Reason and Imagination Reconciled
XIV Personal Writer of the Sixties: Reason and Imagination United
Table for Converting Page References to Chapter Numbers
RESEARCH for and the writing of this book were made possible by a National Endowment for the Humanities Summer Seminar—I am particularly grateful to its director, Alasdair MacIntyre, for his encouragement and support—and a Faculty Development Grant and sabbatical leave from Hope College.
I was given permission by C. S. Lewis PTE Limited to quote from two unpublished letters by Lewis and from his unpublished diary. Owen Barfield kindly allowed me to quote from an unpublished lecture. Portions of the book were published previously in Mythlore and VII: An Anglo-American Literary Review; my thanks to the editors for allowing me to reprint them here. I have, in the book, modified considerably the positions taken in the article in VII.
I am indebted to a number of people who read parts of or the entire manuscript and made valuable suggestions for its improvement: Tom Andrews, John Cox, Paul Ford, Douglas Mantz, and Merold Westphal; from Peter Macky I learned a great deal about Lewis’s use of imagination and from Peter Kreeft a great deal about Lewis’s use of reason. I owe an especially large debt to my colleague Charles Huttar, who read the manuscript at various stages and was a continual source of encouragement, information, suggestions, and corrections.
As a hunt-and-peck typist, I am very thankful to my wife Karen, to Dee Bakker, and to Bev Kindig, who typed parts ...
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About Reason and Imagination in C. S. Lewis: A Study of Till We Have FacesThe first study of C. S. Lewis to offer a detailed examination of Till We Have Faces, Peter J. Schakel’s book is also the first to explore the tension between reason and imagination that significantly shaped Lewis’ thinking and writing. Schakel leads the reader through the plot of Till We Have Faces, clarifying its themes, structure, symbols, and allusions. He then surveys the rest of Lewis’ works, tracing the tension between reason and imagination. In the works of the 1930s and 40s, reason is in the ascendant. From the early 50s onward, there is an increased emphasis on imagination—as exemplified in the Chronicles of Narnia. This trajectory culminates in the “myth retold” that is Till We Have Faces. Imagination and reason are reconciled, finally, in works of the early 60s, such as A Grief Observed and Letters to Malcolm. |
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