Song of Songs
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Song
of

SONGS

Tremper Longman III

William B. Eerdmans Publishing Company

Grand Rapids, Michigan

© 2001 Wm. B. Eerdmans Publishing Co.

255 Jefferson Ave. S.E., Grand Rapids, Mich. 49503

All rights reserved

Library of Congress Cataloging-in-Publication Data:

Longham, Tremper

Song of Songs / Tremper Longham III.

cm. —(The New international commentary on the New Testament)

Includes bibliographical reference and index.

ISBN 0-8028-2543-5

1. Bible. O.T. Song of Solomon—Commentaries

I. Title II. Series.

BS1485.53 L66 2001

223’.9077—dc21

Scripture taken from the NEW ENGLISH BIBLE

Copyright © 1961, 1970 by the Delegates of the Oxford University Press and the Syndics of the Cambridge University Press. Used by Permission.

www.eerdmans.com

To Alice

Contents

General Editor’s Preface

Author’s Preface

Abbreviations

INTRODUCTION

i. Title

ii. Authorship

iii. Literary Style

iv. Language

v. Date

vi. The Text

vii. History of Interpretation

viii. Genre

ix. Ancient Near Eastern Background

x. Structure

xi. Canon

xii. The Significance and Theology of the Song of Songs

xiii. Bibliography

TEXT AND COMMENTARY

Superscription (1:1)

Poem One: The Woman’s Pursuit (1:2–4)

Poem Two: Dark, but Beautiful (1:5–6)

Poem Three: An Invitation to a Tryst (1:7–8)

Poem Four: A Beautiful Mare (1:9–11)

Poem Five: Intimate Fragrances (1:12–14)

Poem Six: Outdoor Love (1:15–17)

Poem Seven: Flowers and Trees (2:1–7)

Poem Eight: A Poem of Spring (2:8–17)

Poem Nine: Seeking and (Not) Finding (3:1–5)

Poem Ten: A Royal Wedding Procession (3:6–11)

Poem Eleven: From Head to Breasts: The Man’s Sensuous Description of the Woman (4:1–7)

Poem Twelve: The Invitation (4:8–9)

Poem Thirteen: Eating in the Garden of Love (4:10–5:1)

Poem Fourteen: To Search and (Not) Find, Once Again (5:2–6:3)

Poem Fifteen: Awesome As an Army under Banners (6:4–10)

Poem Sixteen: A Surprise in the Nut Grove (6:11–12)

Poem Seventeen: A Description of the Dancing Shulammite (7:1–11 [English 6:13–7:10])

Poem Eighteen: I Will Give You My Love (7:12–14 [English 7:11–13])

Poem Nineteen: Yearning for Love (8:1–4)

Poem Twenty: Like a Seal (8:5–7)

Poem Twenty-One: Protecting the Sister (8:8–10)

Poem Twenty-Two: Who Owns the Vineyard? (8:11–12)

Poem Twenty-Three: Be Like a Gazelle (8:13–14)

INDEXES

i. Subjects

ii. Authors

iii. Scripture References

iv. Foreign Words

General Editor’s Preface

Long ago St. Paul wrote: “I planted, Apollos watered, but God gave the growth” (1 Cor. 3:6, NRSV). He was right: ministry indeed requires a team effort—the collective labors of many skilled hands and minds. Someone digs up the dirt and drops in seed, while others water the ground to nourish seedlings to growth. The same team effort over time has brought this commentary series to its position of prominence today. Professor E. J. Young “planted” it forty years ago, enlisting its first contributors and himself writing its first published volume. Professor R. K. Harrison “watered” it, signing on other scholars and wisely editing everyone’s ...

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About Song of Songs

Relationships are a wonderful, mysterious, often elusive, sometimes painful part of the human experience. The most intimate of all human relationships, according to the Bible, is that between a husband and a wife. It is no surprise, therefore, that there is a book of the Bible, the Song of Songs, that focuses on this relationship. What is surprising is how little attention is given to the Song of Songs by scholars, by the church, and by readers of the Bible. With this volume Tremper Longman III unpacks for modern people what this ancient love poem says about the male-female relationship—and, by analogy, about God’s love for his people.

Longman’s superb study begins with a thorough introduction to the Song of Songs and its background. Longman discusses the book’s title, authorship, date, literary style, language, structure, cultural milieu, and theological content. He also canvasses the long history of interpretation of the Song of Songs, a history too often characterized by repression of the text. In the commentary itself, Longman structures the Song of Songs according to its twenty-three poetic units and explains its message verse by verse. The exposition is made clearer by Longman’s adoption of an anthropological approach to the text and by his frequent comparisons of the Song of Songs with other ancient Near Eastern literature.

Learned yet highly accessible, innovative yet fully informed by past scholarship, this commentary shows the beautiful Song of Songs to be a timeless celebration of human love and sexuality.

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