THEODORE THE STUDITE: WRITINGS ON ICONOCLASM
TRANSLATED AND INTRODUCED
BY
THOMAS CATTOI
THE NEWMAN PRESS
New York/Mahwah, NJ
COPYRIGHT © 2015 BY THOMAS CATTOI
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the Publisher.
Library of Congress Cataloging-in-Publication Data
Theodore, Studites, Saint, 759-826.
[Works. Selections. English. 2014]
Writings on iconoclasm / Theodore the Studite ; translated and introduced by Thomas Cattoi.
pages cm. — (Ancient Christian writers ; 69)
Includes bibliographical references and indices.
ISBN 978-0-8091-0611-0 (hardcover : alk. paper) — ISBN 978-1-58768-424-1 (e-book)
1. Iconoclasm. 2. Icons—Cult—History of doctrines—Middle Ages, 600-1500. 3. Icons—Cult—Byzantine Empire. 4. Byzantine Empire—Church history. I. Title.
BR238.T4413 2014
246`.53—dc23
2014018123
ISBN 978-0-8091-0611-0 (cloth)
ISBN 978-1-58768-424-1 (e-book)
Published by The Newman Press
an imprint of Paulist Press
997 Macarthur Boulevard
Mahwah, New Jersey 07430
Ancient Christian Writers
THE WORKS OF THE FATHERS IN TRANSLATION
ADVISORY BOARD
Boniface Ramsey, Chair
John Dillon
Jeremy Driscoll
Thomas Macy Finn
Thomas L. Knoebel
Joseph Lienhard
John A. McGuckin
No. 69
First Refutation of the Iconoclasts
Second Refutation of the Iconoclasts
Third Refutation of the Iconoclasts
Seven Chapters against the Iconoclasts
Some Questions Posed to the Iconoclasts
Letter to His Own Father Plato about the Veneration of the Sacred Images
Refutation and Subversion of the Impious Poems
“The icon masters of old were never concerned with earthly matters … but always raised their spirit and their thoughts toward the light which is divine and immaterial.”
Joseph of Volokolamsk,
Message to an Iconographer1
In Defense of Orthodoxy: Theodore the Studite and the Second Iconoclastic Crisis
Theodore the Studite (759–826) is one of the most important personalities in the period of Eastern Christian theology that followed the Second Council of Nicaea (787). The purpose of this volume is to offer to an English-speaking public all the writings of Theodore that were devoted to the question of the veneration of sacred images. Iconoclasm was Theodore’s chief preoccupation during the second part of his life; it led to the composition of his chief polemical works—the three Antirrhetici and the Seven Chapters against the Iconoclasts—as well as his refutations, in verse, of different poetic compositions by members of the iconoclastic party.
Theodore the Studite lived and worked at the very end of the Patristic era and brought together in his vision different elements from the trinitarian theology of the Cappadocian fathers and the great ...
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About Theodore the Studite: Writings on IconoclasmFamous for his writings exploring the nature and purpose of the monastic life, Theodore the Studite (759–826) was also the author of numerous apologetic works on the theology of the icon, where prose and poetry brought together theological depth and mystical inspiration. In the context of the iconoclast revival that swept through Byzantium in the early years of the ninth century, Theodore was the chief advocate of the legitimacy of icon veneration, and argued for the fundamental congruence between this practice and the Christological vision of the early councils. As John Damascene had done during the eighth century, Theodore envisages the icon as the synthesis of the Christian faith in the incarnation; its veneration is not only the litmus test of doctrinal orthodoxy, but it is also an integral part of the spiritual practice of the Christian, for whom Christ s resurrection points towards the eschatological redemption of the cosmos. This volume makes available in English for the first time all the writings by Theodore on the subject of iconoclasm. It will be of great interests to scholars and students of early Christian theology and spirituality, as well as to anyone eager to explore the relationship between spiritual practice and the visual arts. |
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